Organisation, Listening and the Aesthetics of Disposal

cris.legacyid	6601
cris.virtual.journalance	#PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.journalance	648ce774-05ae-47f3-8a1b-62524c23badd
dc.abstract.pl	Tristram Shandy deconstructs the conventions of the emerging modern novel almost as fast as its conventions were minted on the page by other 18th century writers. In consequence, readers of this early novel could not just consume the words on the page as they might do with a history but they required instead an aesthetics of disposal to help them to manage the endless digressions, the blanks in text, and the ambulation in chronology of this most disorganised of novels. In this paper listening to ruptures and fissures in the text is likened to the work of employees today, who similarly have to manage the inter-plays of convention and invention within the disorganisation of the contemporary corporation.
dc.contributor.affiliation	CSTT
dc.contributor.author	Rolland Munro
dc.date.accessioned	2025-07-25T16:46:17Z
dc.date.available	2025-07-25T16:46:17Z
dc.date.issued	2007
dc.date.published	2007
dc.description.issue	2
dc.description.physical	136-147
dc.description.volume	6
dc.identifier.issn	1532-5555
dc.identifier.uri	https://repozytorium.kozminski.edu.pl/handle/item/3032
dc.language	en
dc.relation.ispartof	Tamara: Journal for Critical Organization Inquiry
dc.relation.pages	136-147
dc.rights	CC-BY-4.0
dc.subtype	Original
dc.title	Organisation, Listening and the Aesthetics of Disposal
dc.type	Article
dspace.entity.type	Publication

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