Publikacja:

Empire Reading of Manet's Execution of Maximilian: Critical Visual Aesthetics and Antenarrative Spectrality

Data

2005
Artykuł
Przeszukaj czasopismo Uproszczony widok Pełne metadane Statystyki
 
cris.legacyid6559
cris.virtual.journalance#PLACEHOLDER_PARENT_METADATA_VALUE#
cris.virtualsource.journalance648ce774-05ae-47f3-8a1b-62524c23badd
dc.abstract.plI am researching the five versions of the Manet series on the Execution. Believe it or not, the paintings (and a lithograph I am still searching for) are the subject of heated debate in visualization, historical narrative, and painting research. My contribution is to argue that Manet's visual aesthetics is coming into vogue, and a two traditional aesthetics (empire and traditional monarchy) are declining, being revised, and the official aesthetic is resisting with acts of censorship because of Manet's critique of empire. There are competing aesthetics theorists, such as Bataille (1955), Larsen (1990), and Wilson-Bareau (1992) who argue different ways of viewing the aesthetics of Manet's 4th painted version of “The Execution of Maximilian” (see Version 4).
dc.contributor.authorDavid Boje
dc.date.accessioned2025-07-25T16:45:28Z
dc.date.available2025-07-25T16:45:28Z
dc.date.issued2005
dc.date.published2005
dc.description.issue4
dc.description.physical118-134
dc.description.volume4
dc.identifier.issn1532-5555
dc.identifier.urihttps://repozytorium.kozminski.edu.pl/handle/item/2990
dc.languageen
dc.relation.ispartofTamara: Journal for Critical Organization Inquiry
dc.relation.pages118-134
dc.rightsCC-BY-4.0
dc.subtypeOriginal
dc.title

Empire Reading of Manet's Execution of Maximilian: Critical Visual Aesthetics and Antenarrative Spectrality

dc.typeArticle
dspace.entity.typePublication